The Making of Space Preserves
November 9-December 17
Coleur photographie displays la don de gente so common in deus ex media compositions to a degree one wants to cite as "force majeure de moderne."

Projects: General Idea
November 28, 1996-January 7, 1997
Artists concerned look over the stuff so far (near the beginning and near the end) and let curators know if one should keep going or just do the "artist" "title" thing.

Projects: STORYTELLING
January 23-May 25, 1997
Upon exploration, this technoreligious socio-curio activity is defined by it's own vunerability to extreme circumstances, seemingly unsure of it's quiet appearance as representative of absolute power, affecting an experience that shifts between the unwielding and the unnoticeable, and a total, absolute envelopment of sensory experience.

Chester Jones Least Work
January 26-April 29, 1997
"Orange You Glad It's Not A Banana" was a title thought of after information sent with title/image to the press, its the one with the balloons in frames. Controversial works, especially those of Jones' almost deemed 'real' art, will be on exhibit.

For 25 Years: Old Glory
February 4-May 16, 1997
Exploring origins of the flag as Betsy Ross, having been tied up in George Washington's basement, was forced to singlehandedly create the American flag while being subject to countless taunts, threats and sexual advances.

Senor Blood Butter
February 20-May 18, 1997
175 pictures, including rare vintage work, by Mexican photographer and sculptor with strengths in chocolate. Particular highlights on Senor's efforts to effectively replicate mooses. One of the premier fakes specializing in delicacies.

Ninel Zalenina
February 27-May 20, 1997
The first in-depth examination in the United States of it's age of surveillance, focused on pieces intent on creating to create a state of heightened paranoia as the viewer contemplates public safety vs. invasion of privacy while the devices behind the doors (which often make an intermittent chirping sound) copies credit card information from the viewer's wallet and beams it to a server in a different building.

Projects: Ethel Rock
April 10-June 3, 1997
A child-sized model of an International Fake Fotostyle replicates intriguing memories regarding earlier works of her later self.

Projects: Urinals and Porky Pigs
April 10-June 3, 1997
Works by contemporary fake artists which range from direct treatments of architecture to highly personal reflections that both transcend and debase architecture in the most meaningless manner.

Objects of Desire: The Modern Still Life works of Tippy Ridgemoore
May 14-September 2, 1997
An examination of the radical evolution in the treatment of space, color, form, composition, and expression in these works normally known for arising from the bottoms up. Works stem from the top down and bear some debt to the theater of Tennessee Williams, [incidentally, a friend of the neighbor of Ms. Ridgemoore's aunt – Ed.]. Pointedly, references to McCullers is sheer irony.