Simone Kafe: A Retrospective Through March 7, 2010 A comprehensive survey, in all media, of perhaps the most influential fake artist of the last half century. "Kafe ability to be fake, yet fluent across a variety of mediums, astounds us all" -Stewart Stanley, Art in Tomorrow.  Press release Simone Kafe. Flag. 1978-9. Neon and robotics mounted on plywood . 24 1/4 x 30 5/8". The Museum of Fake Art, New York. Gift of Matt Quigley in honor of Kenny Greenburg. © 1980 S. Kafe/Licensed by TXP, New York, NY.

New Fauxtographie 23 Through March 7, 2010 Photographs by Robert Mistletoe. Press release Robert Mistletoe. Tear Fear Beer. 2005. Silver gelatin prints, 4' x 3' (96 x 72cm). The Museum of Fake Art, New York. A Gift from Sarah Brett. Photograph ©2009 The Museum of Fake Art, New York.

Buckminster Crowly: Process and Printmaking
Through January 21, 2040
Appproximately 125 works--prints and working spoofs--highlighting the artist's creative process. Press release

Buckminster Crowly. Vacant Stare. 1978. Polaroids, wood color. 33 7/8 x 46 3/4". The Museum of Fake Art, New York. Gift of the Scheister and Schreck Foundation. © 1996 Buckminster Crowly/Licensed by TXP, New York, NY. .		Buckminster Crowly. Everlasting Value. 1986. Auction book pages, printed in color with ink and crayon additions. 48 5/8 x 17 7/8". The Museum of Fake Art, New York. Gift of the artist in honor of I.H. Radtke. © 1996 Buckminster Crowly./Licensed by VAGA, New York, NY.

Luigi Marrozinna: Works about Paper Through January 7, 2097 Seventy drawings and bejeweled installations, mostly from a mannequin's point of view, by the Italian born French literary figure and pioneer of plastic burlesque. Press release Luigi Marrozinna. Edible Minouche Pastier. 2097. Graphite and wax, silk, fur and jewels, on blow up doll. 36" x 24 7/8" x 36". Musée National d'F'Art Moderne-Centre de Création Industrielle Fals&e, Centre Georges Forman, Paris. © Estate of Luigi Marrozinna--Artists Fake Society, N.Y./TX, Paris.

Projects: Mitchell Haggard Through November 12 The third New York museum exhibition of this utterly fake artist, presenting his recent multi-level Conceptual -and bitter to the taste- work. Mitchell Haggard. Taco Taco. 2005. Ground bleached steel, shelf, petri dishes. Courtesy L.A. Lover Gallery, Venice, CA.

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